Museum's new art pays 'homage' to French founder

News imageBBC A large building in the French Renaissance style of architecture - four storeys with large windows, projecting bays, and mansard roofing. Stairs on either side lead up the the central entrance. In front is a formal garden with a wide gravel path, patches of lawn, and clips shrubbery.BBC
The Bowes Museum was built in the 1870s by a local landowner and his Parisian wife

A County Durham museum is paying "homage" to its French founder's routes by bringing in works she would have approved of for its newest exhibition.

The Bowes Museum in Barnard Castle has linked up with a museum in Le Havre for Impressions of Light, featuring a number of impressionist paintings never before been seen in the UK.

The display also highlights the links between the museum's founders, John Bowes and his Parisian wife Josephine, and the French art world.

The museum said the exhibition, which will run until 14 March, involved a detailed planning operation to secure all necessary permissions and logistical arrangements, with specialist art couriers transporting the works.

The exhibition brings together 60 works from Bowes' collection and the Musée d'Art Moderne André Malraux (MuMa), in Le Havre.

Bowes Museum's executive director Hannah Fox said: "It doesn't simply create a dialogue between our two museums, it restores a connection between two worlds.

News imageBowes Mueum Portrait of a woman, dating from the mid 19th Century. She has a pale face, long black hair, parted in the middle and is wearing what appear to be diamond earrings and a pink choker with diamonds or glittering jewels. Her pink dress is off the shoulder and there is a blue jewel in the middle of the neckline. Her left hand is on her shoulder resting on her hair.Bowes Mueum
Josephine Bowes was a "mold-breaking" art collector and painter

"While the paintings were made in Normandy, many of the landscapes they depict find unexpected echoes in County Durham."

Fox said the exhibition paid "homage" to Josephine Bowes and her "mold-breaking artistic patronage", uniting the works she collected with "avant-garde" pieces she might have acquired had she lived beyond 1874.

Michaël Debris, assistant curator at MuMa, said: "The collaboration between our two museums has its roots in a longer history."

News imageMuMa Le Havre/ Florian Kleinefenn Impressionist painting by Claude Monet of a seascape. The sea has waves in hazy shades of blue and green, with a patch of stony beach to the right foreground and cliffs depicted in streaks of pink, grey and blue. Above the sky is grey.MuMa Le Havre/ Florian Kleinefenn
A painting by Claude Monet is arriving in County Durham 22 years after it was requested

One of the artworks, Fécamp, Seaside by Claude Monet, is going on display 22 years after the Bowes Museum first requested it.

"As the painting was involved in another project at the time it could not be loaned then, but now it has finally happened," Debris said.

Organisers have spent two and half years planning the exhibition, from discussing its "concept and narrative" through to selecting and securing artworks.

Getting all necessary permissions and logistical arrangements for transportation took just under a year.

News imageBowes Museum A painting in the impressionist style. It features of group of people on a beach, a mix of men and women, with a dog to the far left, dressed in clothing appropriate to the 1860s, some of the women holding parasols or umbrellas. The light is hazy with a grey sky.Bowes Museum
Eugène Boudin's Beach Scene at Low Tide is one of the works from the Bowes collection

Vicky Sturrs, director of programmes and collections at the Bowes Museum, said: "For international loans, artworks are carefully inspected and packed in specialist crates, then transported with specialist art couriers.

"Customs and import requirements are managed alongside detailed documentation, including condition reports and insurance.

"When the artworks arrive, they are carefully unpacked and condition checked again to identify any impact from their journey before they are installed in the gallery space."

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