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1832, Paris. Marie Taglioni's appearance on pointe shoes in La Sylphide helps usher in the age of Romantic ballet.

1832, Paris. When Marie Taglioni appears in La Sylphide, dancing on pointe as an ethereal spirit from another world, audiences encounter a new vision of ballet. Her performance helps define the Romantic ballet tradition, establishing images and ideals that continue to shape the art form today.

From floating sylphs and ghostly wilis to doomed love stories and moonlit forests, Romantic ballet embraces fantasy, mystery and escapism. New stage effects, gas lighting, pointe shoes and the long white tutu combine to create a world of supernatural wonder, while star ballerinas become some of the nineteenth century's most celebrated cultural figures.

Gillian Moore is joined by a roster of distinguished historians for this major new BBC Radio 3 series, charting a course through 1000 years of classical music history. For the next eight programmes, historian Kate Williams is in the chair, as together they explore the rich musical world of the nineteenth century.

Producer: Megan Jones
Academic Consultant: Professor Laura Tunbridge, University of Oxford
Story Consultant: Kate Leys
Series Editor for BBC Audio: Emma Harding

Key Changes theme tune composed by Joseph Howard and performed by the BBC National Orchestra of Wales, conducted by Kerem Hasan.

MUSIC DETAILS

Jean Schneitzhoeffer: La Sylphide (extracts)

Herman Severin Løvenskiold: La Sylphide – Act II, The Forest Scene

Adolphe Adam: Giselle – The Mad Scene

Adolphe Adam: Giselle – Act II, Apparition de Giselle

Léo Delibes: Coppélia – Prelude

Léo Delibes: Sylvia

Pyotr Ilyich Tchaikovsky: Swan Lake (extracts)

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23 days left to listen

56 minutes

Music Played

  • Herman Severin Lovenskiold

    La Sylphide (excerpt)

    Orchestra: Aalborg Symfoniorkester. Conductor: Peter Ernst Lassen.
    • DANACORD.
  • Jean-Marie Schneitzhoeffer

    La Sylphide

    Orchestra: Bolshoi Theatre Orchestra. Conductor: Georgy Zhemchuzhin.
    • PILZ.
  • Herman Severin Lovenskjold

    The Forest Scene from La Sylphide, Act 2

    Orchestra: Copenhagen Philharmonic Orchestra. Conductor: Ole Schmidt.
    • EMI : 967-694 2.
    • EMI.
    • 16.
  • Adolphe Adam

    'The Mad Scene' from Giselle, Act 1

    Orchestra: Orchestra of the Royal Opera House, Covent Garden. Conductor: Richard Bonynge.
    • DECCA : 417-505-2.
    • DECCA.
    • 21.
  • Adolphe Adam

    'Apparition de Giselle' from Giselle, Act 2

    Orchestra: Orchestra of the Royal Opera House, Covent Garden. Conductor: Richard Bonynge.
    • DECCA : 417-505-2.
    • DECCA.
    • 4.
  • Léo Delibes

    Prelude to Coppelia

    Orchestra: Paris Opera Theatre Orchestra. Conductor: Jean-Baptiste Mari.
    • EMI CLASSICS : 967-7232.
    • EMI CLASSICS.
    • 1.
  • Léo Delibes

    Marche et cortege de Bacchus from Sylvia, Act 3, No 14

    Orchestra: New Philharmonia Orchestra. Conductor: Richard Bonynge.
    • DECCA : 425-475 2.
    • DECCA.
    • 1.
  • Pyotr Tchaikovsky

    Waltz from Swan Lake, Op 20, Act 1, No 2

    Orchestra: London Symphony Orchestra. Conductor: André Previn.
    • WARNER CLASSICS : 94639324354.
    • WARNER CLASSICS.
    • 2.
  • Pyotr Tchaikovsky

    Finale from Swan Lake, Op 20

    Orchestra: London Symphony Orchestra. Conductor: André Previn.
    • WARNER CLASSICS : 94639324354.
    • WARNER CLASSICS.
    • 18.

Broadcast

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