Handel's Messiah
Misha Glenny and guests discuss Handel's great sacred oratorio from 1742, his collaboration with librettist Charles Jennens, and the first performances in Dublin and then London.
Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original.
With
Donald Burrows
Emeritus Professor of Music at the Open University
Ruth Smith
Trustee and Council Member of the Handel Institute
And
Larry Zazzo
Countertenor, and Senior Lecturer in Music at Newcastle University
Producer: Simon Tillotson
Reading list:
Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming)
Donald Burrows, Messiah (Edition Peters, 1987)
Donald Burrows, Messiah, Cambridge Music Handbooks (Cambridge University Press, 1991)
Donald Burrows, Handel: Master Musicians series, 2nd edition (Oxford University Press, 2012)
George Frideric Handel (ed. Donald Burrows et al.), Collected Documents vol. 3 (1734-42), vol 4 (1742-50), (Cambridge University Press, 2019, 2020)
G.F. Handel, facsimile ‘Messiah’: the composer’s autograph manuscript (British Library, 2009)
G.F. Handel, facsimile the composer’s Conducting Score of Messiah (Scolar Press, 1974)
Arthur Holroyd, Reassuring 18th-Century Protestants: The Librettist’s Intended Message for Handel’s ‘Messiah’ (Quacks Books, 2018)
Charles King, Every Valley: The Story of Handel’s Messiah (Doubleday/Bodley Head, 2024)
Jens Peter Larsen, Handel’s Messiah: Origins, Composition, Sources (Adam and Charles Black, 1957)
Richard Luckett, Handel’s Messiah: A Celebration (Victor Gollancz, 1992)
Watkins Shaw, A Textual and Historical Companion to Handel’s ‘Messiah’ (Novello and Co, 1965)
Ruth Smith, ‘The Achievements of Charles Jennens (1700–1773)’ (Music & Letters, 70, 1989)
Ruth Smith, Charles Jennens: The Man behind Handel’s ‘Messiah’ (Handel House Trust/The Gerald Coke Handel Foundation, 2012)
Ruth Smith, Handel’s Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)
Calvin R. Stapert, Handel’s Messiah: Comfort for God’s People (Wm. B. Eerdmans Publishing Co., 2010)
Judy Tarling, Handel’s Messiah: A Rhetorical Guide (first published 2014; Punnett Press, 2025)
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Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
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Guests and related links
Contributors:
Donald Burrows of the Open University
Ruth Smith of the Handel Institute
Larry Zazzo of Newcastle University
Related links:
Handel’s Messiah: A Soulful Celebration (Mervyn Warren, Quincy Jones, Norman Miller) 1992)
Messiah: Staging by Claus Guth, Jean-Christophe Spinosi - Theater an der Wien (Vienna, 2009)
Gerald Coke Handel Collection – Foundling Museum
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Misha Glenny and guests discuss the ideas, people and events that have shaped our world.



