In order to see this content you need to have both Javascript enabled and Flash installed.
Visit BBC Webwise for full instructions

Celia describes the young talent of Ossie Clark in his college days

Celia describes the creative people who helped realise Ossie's clothes

On Ossie's signature bias cut which gave his designs movement
The BBC is not responsible for external websites
One of the most influential designers of the 60s and 70s, Ossie dressed the famous and the fashionable in designs as flamboyant as his personality. Clark didn’t have a head for business but he knew how to make women feel beautiful, earning his singular talent the title of ‘the master cutter,’ and a client list that reads like a who’s who of the post-war international jet-set: Twiggy, Penelope Tree, Marianne Faithfull, Talitha Getty, Bianca Jagger, Jean Shrimpton, Elizabeth Taylor and Liza Minnelli. He met his future wife and collaborator Celia Birtwell when they were both art students in Manchester; they went on to become one of the most successful design teams of the period, with Birtwell designing the prints that Ossie scissored into his trademark floating dresses. Clark’s 1965 MA graduation collection from the Royal College of Art, inspired by Bridget Riley’s Op Art discovered during a trip he took across America with friend David Hockney, launched his career and his clothes were featured in Vogue months after his student show. Inspired by the glamour of Hollywood’s Golden Age and stars such as Marlene Dietrich, Ossie Clark’s dresses subtly retro evening dresses were sensuous and sinous, often bias-cut to cling to the body. His ensuring trademarks were painstaking workmanship and technical expertise, and he often boasted he could make anything, from a bra, to a dress, to a pair of shoes, entirely with his own hands. Unfortunately, this technical wizardry was also coupled with complete disregard for all financial matters: despite investing his considerable talents in a number of design labels, Clark was bankrupt and almost invariably scrabbling for funds throughout his career.
BBC © 2014The BBC is not responsible for the content of external sites. Read more.
This page is best viewed in an up-to-date web browser with style sheets (CSS) enabled. While you will be able to view the content of this page in your current browser, you will not be able to get the full visual experience. Please consider upgrading your browser software or enabling style sheets (CSS) if you are able to do so.